{"id":6046,"date":"2019-04-16T08:45:49","date_gmt":"2019-04-16T08:45:49","guid":{"rendered":"https:\/\/sadilar.org\/theatre-workshop\/"},"modified":"2019-04-16T08:45:49","modified_gmt":"2019-04-16T08:45:49","slug":"theatre-workshop","status":"publish","type":"post","link":"https:\/\/sadilar.org\/en\/theatre-workshop\/","title":{"rendered":"Theatre workshop: Multiple universes in Afrikaans one-on-one theatre"},"content":{"rendered":"<div class=\"googlefontscall\"><\/div>\n<div class=\"rowck ckstack3 ckstack2 ckstack1 uick-sortable\" id=\"row_ID1555403385452\" data-gutter=\"2%\" data-nb=\"1\" style=\"position: relative;\">\n<style class=\"ckcolumnwidth\">[data-gutter=\"2%\"][data-nb=\"1\"]:not(.ckadvancedlayout) [data-width=\"100\"] {width:100%;}[data-gutter=\"2%\"][data-nb=\"1\"].ckadvancedlayout [data-width=\"100\"] {width:100%;}[data-gutter=\"2%\"][data-nb=\"1\"]:not(.ckadvancedlayout) .blockck:not(:first-child) {margin-left:2%;}<\/style>\n<div class=\"inner animate clearfix\">\n<div class=\"blockck\" id=\"block_ID1555403385453\" data-real-width=\"100%\" data-width=\"100\" style=\"position: relative;\">\n<div class=\"ckstyle\"><\/div>\n<div class=\"inner animate resizable\">\n<div class=\"innercontent uick-sortable\">\n<div id=\"ID1555403389732\" class=\"cktype\" data-type=\"text\" style=\"position: relative;\">\n<div class=\"tab_blocstyles ckprops\" blocbackgroundpositionend=\"100\" blocbackgrounddirection=\"topbottom\" blocbackgroundimageattachment=\"scroll\" blocbackgroundimagerepeat=\"no-repeat\" blocbackgroundimagesize=\"auto\" blocbordertopstyle=\"solid\" blocborderrightstyle=\"solid\" blocborderbottomstyle=\"solid\" blocborderleftstyle=\"solid\" blocbordersstyle=\"solid\" blocshadowinset=\"0\" fieldslist=\"blocbackgroundpositionend,blocbackgrounddirection,blocbackgroundimageattachment,blocbackgroundimagerepeat,blocbackgroundimagesize,blocalignementleft,blocalignementcenter,blocalignementright,blocalignementjustify,blocbordertopstyle,blocborderrightstyle,blocborderbottomstyle,blocborderleftstyle,blocbordersstyle,blocshadowinset\"><\/div>\n<div class=\"tab_edition ckprops\" fieldslist=\"\"><\/div>\n<div class=\"ckstyle\">\n<style><\/style>\n<\/div>\n<div class=\"cktext inner\" style=\"position: relative;\" spellcheck=\"false\">\n<p><span style=\"font-size: 14pt;\" data-mce-style=\"font-size: 14pt;\"><strong><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Werkswinkel: Ewew\u00earelede in Afrikaanse een-tot-eenteater<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Die werkswinkel oor die ewew\u00earelde in Afrikaanse een-tot-eenteater, gelei deur SADiLaR se Afrikaansnavorser Benito Trollip, het die afgelope naweek praktiese sessies ingesluit van hoe hierdie w\u00earelde geskep word. Die werkswinkel vorm deel van die maandlange viering van Afrikaans, as deel van SADiLaR se 2019-taalvieringe. Die tema van ewew\u00earelde word deurgaans hierdie maand beklemtoon. DEURnis, &#8216;n een-tot-eenteatergroep, het hierdie idee van ewew\u00earelde deur middel van hul ongewone teaterstukke (twee stukke, KOUD en NET, is gedurende die werkswinkel opgevoer) vir werkswinkelgangers ten toon kom stel. \u0149 Deelnemer\/Gehoorlid is uit die groep gekies terwyl die res gekyk het hoe die toneel tussen die akteur en die gehoorlid afspeel. In \u0149 gewone DEURnisstuk is \u0149 gehoorlid en die akteur in een vertrek vir ongeveer twintig minute. Sodra \u0149 gehoorlid deel is van so \u0149 toneel word hy nie toegelaat om terug te praat nie, hy\/sy mag slegs ja-neevrae beantwoord, sou die akteur sulke vrae vra. Die gehoorlid besef gou dat hy\/sy \u0149 karakter in hierdie teaterstuk is, aangesien die akteur met hom\/haar praat as \u0149 karakter. Vir die deelnemer skep dit \u0149 w\u00eareld waarin hy moet uitpluis wie hy in die verhaal is, sonder dat hy \u0149 woord kan s\u00ea! Ongeveer twintig minute nadat die deelnemer die vertrek moet verlaat, net om in \u0149 volgende vertrek met &#8216;n ander akteur in te stap, moet hy probeer sin maak van hierdie situasie waarin hy sopas was. Hierdie teaterstukke is in wese roerend, boeiend, en sielkundig uitdagend weens die afgebakende w\u00earelde en verskeidenheid karakters (waarvan die gehoorlid ook altyd een is).<\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Na DEURnis se uitbeelding van die wyse waarop \u0149 ewew\u00eareld geskep kan word, het die werkswinkel se fokus verskuif na tegnieser aspekte rondom die skep van hierdie w\u00earelde. Een van die vervaardigers van die produksiemaatskappy wat DEURnis vervaardig (TheatreRocket), Johan van der Merwe, het verduidelik waar die konsep vandaan kom, hoe dit gegroei het en wat vir hulle voorl\u00ea. Die akteur van albei stukke, Ben Pienaar, het daarna gepraat oor hoe om \u0149 eerlike vertolking te gee en hoe party gehoorlede so begeester is na die tyd dat hulle hulle rolle begin glo. Gehoorlede raak soms so meegevoer dat hulle begin lag of huil. Henque Heymans, een van DEURnis se skrywers, het hierop uitgebrei en verduidelik dat hy dit as \u0149 eienskap van sy tekste inbou. Die eerste deel van die stuk fokus op die skep van \u0149 verhouding tussen die akteur en gehoorlid, die tweede deel beklemtoon die verhouding en maak dit vir die gehoorlid geloofwaardiger, en die finale deel lei na \u0149 slot (hetsy logies of nie) wat uiteindelik die ewew\u00eareld op \u0149 manier vir die gehoorlid sluit soos die toneel eindig. Henque het ook genoem hoe elke element van die ruimte waarin \u0149 stuk afspeel, bydra tot die onderdompeling van die gehoorlid in die storie.<\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Die werkswinkel was kreatief, prakties en uiters vermaaklik. Afrikaanse teater het \u0149 skitterende toekoms as hierdie die rigting is waarin dit beweeg.<\/span><\/p>\n<p><strong><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\"><u>Gert Coetzer se persoonlike ervaring<\/u>:<\/span><\/strong><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Ek is gebruik in een van die tonele (NET) om aan die werkswinkelgangers te demonstreer hoe \u0149 DEURnisteks \u0149 ewew\u00eareld skep. Ek het buite die lokaal gestaan en aan die deur geklop, toe skree die akteur ek moet net \u0149 oomblik wag en dan inkom. Toe ek in die vertrek inkom, het ek gaan sit met die akteur voor my en die ander werkswinkelgangers links van my. Die akteur het met my begin praat asof hy my ken en hy het \u00f3ns storie vertel. Die verhaal gaan oor ek wat dood is as gevolg van \u0149 akrobaattoertjie wat verkeerd geloop het \u2013 die akteur se karakter moes my vang en hy het nie. Heeltemal gefolter deur jare se skuldgevoel, beplan hy om self na sy dood te spring terwyl \u0149 tent vol mense kyk wanneer hy weer dieselfde toertjie alleen gaan doen. Soos die akteur die toneel verlaat (waarmee dit ook die einde van die stuk aankondig) en vir alle praktiese redes op pad is om homself dood te maak, kon ek niks doen om hom te keer nie.<\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Dit was \u0149 vreemde ervaring om nie met hom te kon praat nie, en om verantwoordelik te voel vir sy (gesuggereerde) selfmoord. Ek was stomgeslaan deur die fenomenale toneelspel en my eie reaksie tot die onmiddellikheid van die hele ervaring. Omdat ek daaraan gewoond is om teaterstukke as deel van \u0149 gehoor te kyk, het hierdie stuk van DEURnis my heeltemal onverhoeds betrap. Dit het my vermo\u00eb om agter die gehoor weg te kruip heeltemal uitgewis en ek is gedwing om die stuk as die enigste gehoorlid te ervaar. Die akteur is heeltyd by jou, hy kyk jou in die o\u00eb en hy speel toneel net vir jou. Al was ek daarvan bewus dat hierdie \u0149 demonstrasie was, moes ek myself steeds gereeld daaraan herinner. Ek sien uit om DEURnis op my eie te beleef, heeltemal onderdompel te word in die stuk se w\u00eareld en oop te wees vir die moontlikhede wat hierdie ervaring my gaan bied. DEURnis skep besonders simpatieke w\u00earelde wat met respek en op \u0149 roerende manier oorgedra word.<\/span><\/p>\n<hr>\n<p><span style=\"font-size: 14pt;\" data-mce-style=\"font-size: 14pt;\"><strong><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Workshop:&nbsp;Multiple universes in Afrikaans one-on-one theatre<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">The workshop on multiple universes in Afrikaans one-on-one theatre, (<em>Die ewew\u00earelde in Afrikaanse een-tot-eenteater<\/em>) led by SADiLaR\u2019s Afrikaans researcher Benito Trollip, offered many practical examples of how multiple worlds can be created. The workshop forms part of the month long celebration of Afrikaans as part of SADiLaR\u2019s 2019 language celebrations. The theme of multiple universes is emphasised throughout the month. DEURnis, a one-on-one theatre group showcased this idea of multiple universes through unconventional theatre pieces (two pieces were performed for workshop goers during the day \u2013 KOUD \u2018Cold\u2019 and NET \u2018Net\u2019). A participant from the crowd were chosen and the rest looked on as it played out. In a normal DEURnis piece, a participant and actor are in one room for around twenty minutes. Within this time the actor puts on a theatre piece and the participant is forbidden to speak except when answering yes\/no questions the actor may ask. The participant soon realises that s\/he is a character within this theatre piece, since the actor speaks to him\/her as a character. For the participant, it creates the effect of being in <em>medias res<\/em> within a world and character role s\/he needs to figure out without speaking. After twenty minutes the participant leaves the room, only to plunge into the next room with an entirely different actor, world and character role to interpret. In effect, the theatre pieces are moving, engaging and psychologically thrilling because of the enclosed worlds and ever-changing characters.<\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">After DEURnis showcased how theatre can create multiple worlds, the workshop\u2019s focus shifted to the technical aspects of world building. One of the producers of the production company behind DEURnis (TheatreRocket), Johan van der Merwe, explained where the concept came from, how it grew and where the future is taking them. The actor, Ben Pienaar, talked about giving an honest performance and how several participants are so emotionally moved that they start believing the fictional world and their character role. Participants are so moved that they start acting as if they <em>are <\/em>their character which manifests through cathartic moments like crying and laughing. Henque Heymans, a writer for DEURnis, expanded on this notion and explained it as a feature of his scripts. The first phase of the theatre piece focusses on creating a bond between the actor and participant, the second phase emphasises this bond to solidify it and make it more believable for the participant with the third climactic phase leading to an end (logical or not) for the piece and closes the fictional world as the participant leaves the room. Henque explains that every detail in the room is there to immerse the participant into the fictional world.<\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">The workshop was creative, practical and highly entertaining. Afrikaans theatre has a bright future if this is the direction it is taking.<\/span><\/p>\n<p><strong><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\"><u>Gert Coetzer\u2019s personal account, as he was part of one of the pieces<\/u>:<\/span><\/strong><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">As an example, I was used to demonstrate to the workshop attendees how DEURnis creates alternate worlds. This is my experience of the demonstration: I went outside and knocked on the door. The actor called me in and I sat down with him in front of me and the workshop attendees to my left. The actor started to speak to me as if he knew me and told our story. It\u2019s about losing me (a character in the theatre piece) in a trapeze accident and he feels responsible for it since I slipped through his hands and fell to my death. Racked with guilt he was planning to kill himself while doing his acrobatic show in front of an audience. As the actor walks out, ending the theatre piece, seemingly on his way to kill himself one is left there unable to stop him.<\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\" data-mce-style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">It was a strange experience being unable to talk to him and feeling responsible for his suicide. I was taken aback by the phenomenal acting and my own responses to the immediacy of the whole experience. Because I\u2019m used to theatre sitting in a crowd, this theatre piece by DEURnis caught me off-guard. It evaporated my ability to hide behind other people and forced me into the position of the only subject experiencing the theatre piece. The actor is in your field of vision, looking at you and acting just for you. Even though I was aware that this is a demonstration, I had to remind myself of the fact a few times. I look forward to experiencing this on my own one day, completely immersed in the world and open to new experiences. DEURnis creates extremely compassionate worlds, told beautifully and with respect. This is something with great potential, not only in Afrikaans but other languages as well.<\/span><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"ckstyle\"><\/div>\n<\/div>\n<div class=\"rowck ckstack3 ckstack2 ckstack1 uick-sortable\" id=\"row_ID1555412171924\" data-gutter=\"2%\" data-nb=\"3\" style=\"position: relative;\">\n<style class=\"ckcolumnwidth\">[data-gutter=\"2%\"][data-nb=\"3\"]:not(.ckadvancedlayout) [data-width=\"33.333333333333336\"] {width:32%;}[data-gutter=\"2%\"][data-nb=\"3\"].ckadvancedlayout [data-width=\"33.333333333333336\"] {width:33.333333333333336%;}[data-gutter=\"2%\"][data-nb=\"3\"]:not(.ckadvancedlayout) .blockck:not(:first-child) {margin-left:2%;}[data-gutter=\"2%\"][data-nb=\"3\"]:not(.ckadvancedlayout) [data-width=\"33.333333333333336\"] {width:32%;}[data-gutter=\"2%\"][data-nb=\"3\"].ckadvancedlayout [data-width=\"33.333333333333336\"] {width:33.333333333333336%;}[data-gutter=\"2%\"][data-nb=\"3\"]:not(.ckadvancedlayout) 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src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0627-scaled.jpg\" data-src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0627-scaled.jpg\">\n\t\t\t<\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"blockck\" id=\"block_ID1555412176659\" data-real-width=\"32%\" data-width=\"33.333333333333336\" style=\"position: relative;\">\n<div class=\"ckstyle\"><\/div>\n<div class=\"inner animate resizable\">\n<div class=\"innercontent uick-sortable\">\n<div id=\"ID1555412226320\" class=\"cktype\" data-type=\"image\" onshow=\"ckAddDndForImageUpload(jQuery('#ID1555412226320')[0]);\" style=\"position: relative;\">\n<div class=\"ckstyle\">\n\t\t\t<\/div>\n<div class=\"imageck\">\n\t\t\t\t<img decoding=\"async\" width=\"100%\" height=\"auto\" src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0639-scaled.jpg\" data-src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0639-scaled.jpg\">\n\t\t\t<\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"blockck\" id=\"block_ID1555412177235\" data-real-width=\"32%\" data-width=\"33.333333333333336\" style=\"position: relative;\">\n<div class=\"ckstyle\"><\/div>\n<div class=\"inner animate resizable\">\n<div class=\"innercontent uick-sortable\">\n<div id=\"ID1555412229767\" class=\"cktype\" data-type=\"image\" onshow=\"ckAddDndForImageUpload(jQuery('#ID1555412229767')[0]);\" style=\"position: relative;\">\n<div class=\"ckstyle\">\n\t\t\t<\/div>\n<div class=\"imageck\">\n\t\t\t\t<img decoding=\"async\" width=\"100%\" height=\"auto\" src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0632-scaled.jpg\" data-src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0632-scaled.jpg\">\n\t\t\t<\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"ckstyle\"><\/div>\n<\/div>\n<div class=\"rowck ckstack3 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uick-sortable\"><\/div>\n<\/div>\n<\/div>\n<div class=\"blockck\" id=\"block_ID1555412212280\" data-real-width=\"32%\" data-width=\"33.333333333333336\" style=\"position: relative;\">\n<div class=\"ckstyle\"><\/div>\n<div class=\"inner animate resizable\">\n<div class=\"innercontent uick-sortable\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"ckstyle\"><\/div>\n<\/div>\n<div class=\"rowck ckstack3 ckstack2 ckstack1 uick-sortable\" id=\"row_ID1555412216390\" data-gutter=\"2%\" data-nb=\"3\" style=\"position: relative; display: block;\">\n<style class=\"ckcolumnwidth\">[data-gutter=\"2%\"][data-nb=\"3\"]:not(.ckadvancedlayout) [data-width=\"33.333333333333336\"] {width:32%;}[data-gutter=\"2%\"][data-nb=\"3\"].ckadvancedlayout [data-width=\"33.333333333333336\"] {width:33.333333333333336%;}[data-gutter=\"2%\"][data-nb=\"3\"]:not(.ckadvancedlayout) .blockck:not(:first-child) {margin-left:2%;}[data-gutter=\"2%\"][data-nb=\"3\"]:not(.ckadvancedlayout) [data-width=\"33.333333333333336\"] 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data-real-width=\"32%\" data-width=\"33.333333333333336\" style=\"position: relative;\">\n<div class=\"ckstyle\"><\/div>\n<div class=\"inner animate resizable\">\n<div class=\"innercontent uick-sortable\">\n<div id=\"ID1555412924822\" class=\"cktype\" data-type=\"image\" onshow=\"ckAddDndForImageUpload(jQuery('#ID1555412234415')[0]);\" style=\"position: relative;\">\n<div class=\"ckstyle\">\n\t\t\t<\/div>\n<div class=\"imageck\">\n\t\t\t\t<img decoding=\"async\" width=\"100%\" height=\"auto\" src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0633-scaled.jpg\" data-src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0633-scaled.jpg\">\n\t\t\t<\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"blockck\" id=\"block_ID1555412924823\" data-real-width=\"32%\" data-width=\"33.333333333333336\" style=\"position: relative;\">\n<div class=\"ckstyle\"><\/div>\n<div class=\"inner animate resizable\">\n<div class=\"innercontent uick-sortable\">\n<div id=\"ID1555412924823\" class=\"cktype\" data-type=\"image\" onshow=\"ckAddDndForImageUpload(jQuery('#ID1555412238744')[0]);\" style=\"position: relative;\">\n<div class=\"ckstyle\">\n\t\t\t<\/div>\n<div class=\"imageck\">\n\t\t\t\t<img decoding=\"async\" width=\"100%\" height=\"auto\" src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0641-scaled.jpg\" data-src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0641-scaled.jpg\">\n\t\t\t<\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"blockck\" id=\"block_ID1555412924824\" data-real-width=\"32%\" data-width=\"33.333333333333336\" style=\"position: relative;\">\n<div class=\"ckstyle\"><\/div>\n<div class=\"inner animate resizable\">\n<div class=\"innercontent uick-sortable\">\n<div id=\"ID1555412924824\" class=\"cktype\" data-type=\"image\" onshow=\"ckAddDndForImageUpload(jQuery('#ID1555412241760')[0]);\" style=\"position: relative;\">\n<div class=\"ckstyle\">\n\t\t\t<\/div>\n<div class=\"imageck\">\n\t\t\t\t<img decoding=\"async\" width=\"100%\" height=\"auto\" src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0629-scaled.jpg\" data-src=\"https:\/\/sadilar.org\/wp-content\/uploads\/2019\/04\/DSC_0629-scaled.jpg\">\n\t\t\t<\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"ckstyle\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Werkswinkel: Ewew\u00earelede in Afrikaanse een-tot-eenteater Die werkswinkel oor die ewew\u00earelde in Afrikaanse een-tot-eenteater, gelei deur SADiLaR se Afrikaansnavorser Benito Trollip, het die afgelope naweek praktiese sessies ingesluit van hoe hierdie w\u00earelde geskep word. Die werkswinkel vorm deel van die maandlange viering van Afrikaans, as deel van SADiLaR se 2019-taalvieringe. Die tema van ewew\u00earelde word deurgaans [&hellip;]<\/p>\n","protected":false},"author":246,"featured_media":6037,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[733],"tags":[],"class_list":["post-6046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/posts\/6046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/users\/246"}],"replies":[{"embeddable":true,"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/comments?post=6046"}],"version-history":[{"count":0,"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/posts\/6046\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/media\/6037"}],"wp:attachment":[{"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/media?parent=6046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/categories?post=6046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sadilar.org\/en\/wp-json\/wp\/v2\/tags?post=6046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}